Directing
From the idea to the final file, one person. I write, I shoot, I edit: a film's coherence cannot be outsourced.
A film doesn't start at the camera. It starts with a question: what do you have to say, and why now? The gear, the shots, the cutting are only answers to that one.
I work with a small crew. Fewer people on set means more attention for what happens in front of the lens — and cheaper days without giving anything up on screen.
Brief & writing
We frame the intent before the frame. Statement, treatment, shot list: you know what you'll be watching.
Scouting & prep
Locations, light, schedule, permits. Shooting day should hold no surprises.
Shooting
Small crew, gear chosen for the film — never the other way around.
Editing & grading
This is where rhythm is decided. Two rounds of notes included, until it lands.
- Main film, graded and mixed
- Short cuts and vertical formats
- Music and licensing included
- Source files on request